Attending the Karajan Music Tech Conference virtually was a complete newborn-experience. At this point, the technology theme took root even more, because gathering everyone on online platforms was the only solution to save this year’s edition.
Mit Salzburg assoziiert man die Opernfestspiele und das Mozarteum – aber nicht einen kreativen Hub für technologische Innovationen in der Musik- und Kulturbranche. Das Karajan Institut möchte Salzburg als Kreativstandort über die Klassik hinaus attraktiv machen. Ihr stärkstes Argument hierfür ist der Star-Dirigent Herbert von Karajan selber. Mit seinen CD-Aufnahmen und TV-Auftritte war er der Klassik-Influencer vor der Zeit der sozialen Medien.
I’ve found out that Peter Parker was Spiderman and not the other way. I’ve found out that he is human and that he also has human limits. This is exactly what I discovered yesterday when I reached my limits at preparing and cutting the interviews I made for the Karajan Music Tech with the JungeReporter group.
Fostering Communities and Empathy Through Music and Technology
Maya is CEO/Co-Founder of WaveAI, today’s most advanced musical AI startup. Their app, ALYSIA, allows everyone, everywhere to create original songs in minutes, through AI-powered assistance on the creation of original lyrics, melodies, and vocals.
Jeff Burton about innovation in music startups from Berkeley to Jerusalem
Composer Emmanuel Witzthum is talking about fostering community and empathy in music and technology.
